It is only fitting that I ended up here, stamping my feet on the uneven stoned streets and chanting poorly…
Upcoming 4C’s Workshop, October 2020, Lisboa, Portugal: Undefined Dialogues
UNDEFINED DIALOGUES is a series of experiential workshops aiming to forge new pathways of critical, creative and scholarly exchange through…
2020 Saffron Masala Fruit Salad
The large rectangular mirror that hangs in the pergola reflects the encroaching foliage of the forest. Though I know this…
Performance Excerpt of Vengayam, at Kampni Kutcheri at Natya STEM Dance Kampni, Bengaluru – Jan 11th, 2020
A performance (excerpt) of Vengayam at the Kampni Kutcheri series by Natya STEM Dance Kampni, Bengaluru, India on January 11th,…
Liminal Mudra: The Un-appropriated Hand
Video performance work presented at PERAI GATHERINGS, part of Sangam Performing Arts Festival of India and Diaspora held in Melbourne,…
Curation: BIRRARUNG – DADADESI at the Sangam Performing Arts Festival of India and Diaspora, Melbourne, November 2019
Sangam, Performing Arts Festival of South Asia and Diaspora presents “BIRRARUNG DADADESI” featuring 12 acts by 16 artists in a…
GALLERY
Vengayam (2020) Images: Joseph S. Kumar Location: Bengaluru, India – Natya & STEM Dance Kampni, January 2020 Liminal Mudra: The…
‘Adrift Some Unsteady Island’, Collage
Image of chair as taken of the desk of Joao Cutileiro, Portuguese sculptor, in 1964.
On Embodied Ideologies, Improvisation, Decolonisation and the role of Art: Interview with Dario Vacirca (Phd) about Vengayam
The following conversation was had at Bus Projects, Collingwood, after the Melbourne performance of Vengayam. The conversation was facilitated by…
Body : Wall – as published in Island Island, 2019
“.. a world ordered by walls becomes one inevitably ordered by territories. A perpetual series of inside/outsides, transforming the…
