Bio

Nithya Iyer is an interdisciplinary researcher of South Indian Tamil-descent. Raised in Melbourne, Australia, she currently resides in Lisbon, Portugal. Working across performance, photography, installation and writing, Nithya seeks to investigate how the body, and the body-in-motion, relates to notions of inheritance and territory. Her works combine research and form as a means to challenge the parameters of  conventional narratives, mediums and aesthetics. Trained for 15 years in the Indian dance forms of Bharatanatyam and Odissi at the Chandrabhanu Bharatalaya Academy of Dance, Australia, Nithya’s subsequent performance inquiries bring these choreographic aesthetics into dialogue with experimental and improvisational mediums. The capacity of the body as a repository of memory as well as an agent of metamorphoses, is a strong focus of her solo and collaborative practices. 

As a facilitator, Nithya develops and collaborates on pedagogical projects drawing from a methodology rooted in phenomenology as practiced in her Masters in Therapeutic Arts Practice and ongoing sessional facilitation at the Melbourne Institute of Experiential and Creative Art Therapy, Australia. This approach tends towards experiential and generative arts-based encounters tailored to the contexts of arts, academic, cultural and social institutions that seek alternative and experimental modes of praxis to complement or query existing curriculums. 

In 2020 she was the recipient of the Ian Potter Cultural Trust grant to undertake a one-year research project at the Hangar Centre for Artistic Investigation, Lisbon, and subsequently commissioned by the European Cooperation Funded 4C’s Project – From Conflict to Convivialiaty through Creativity and Culture in relation to a mediation project, ‘Notes from Atopia’. In 2021, she collaborated with Dr. Zohar Iancu (Catholic University of Portugal) to co-direct and facilitate a year-long residency space called the Daotown House of Alternative Research and Culture in Alentejo, Portugal.  Separately Nithya is a co-founder of The Third Thing with Vlad Mizikov (AUS/PT), undertaking performative research and writings on the capacity of feminist interventions in architectural sites. Her solo and collaborative work has been presented at festivals and institutions in Australia, India and Portugal, where she regularly presents and dialogues with artistic and cultural communities and institutions. 

Image taken by Noam Friedman

Contact: msnithyaiyer_at_gmail.com

CV

Training & Education

  • Melbourne Institute of Experiential and Creative Art Therapy: Masters in Therapeutic Arts Practice (Community Arts & Health); 2020
  • RICE University, Texas USA: How to Read Texts, Summer School with Professor Timothy Morton, 2020
  • University of Bologna, Italy: Atlas of Transitions Summer School 2020
  • Deakin University, Melbourne: Cross-institutional study, Arts-based and Sports-based Approaches to Community Development, 2019
  • Chandrabhanu Bharatalaya Academy of Classical Indian Dance, Melbourne: Bharatanatyam & Odissi Dancer & Teacher; 2005-2016
  • Jambudvipa Association for Indian Arts: Chair and Ensemble Performer; 2014-2017
  • Monash University: Bachelor of Arts (Politics & International Relations)/Bachelor of Commerce (Accounting & Finance); 2004-2008
  • University of Liverpool: ERASMUS Program; 2004
  • MacRobertson Girls High School: VCE, 2000-2003
Awards & Residencies
  • Creative Europe Individual Mobility [PT] 2026
  • Sangam Labs Conference Scholarship [NDL] 2026
  • Atlas residency, Studio de Monica de Miranda [PT] 2024
  • AADK The Plot residency [PT] 2023
  • TERRITORY residency Pada x Sluice [PT] 2022
  • Hangar Centre for Artistic Investigation [PT] 2020
  • Ian Potter Cultural Trust Emerging Artist [AUS] 2020
  • Multicultural Arts Victoria Performing Arts Grant (Jambudvipa Ensemble) [AUS] 2015
  • Art Ecology residency with Veena Basvarajiah [IND] 2016
  • Chandrabhanu Bharatalaya Award for Excellence [AUS] 2010
Performance
  • Neela Kanta Maha Deva: Solo and ensemble Bharatanatyam performance with Tarika Valli Dance Company for Danças da Terra, Óbidos, 2023.
  • L(AZUL)I#002FA7: Performance and installation commissioned by Luisa Santos and Ana Fabiola Mauricio, Nanogaleria, Lisbon, 2020.
  • Vengayam: Kampni Kutcheri series, curated by Madhu Nataraj of Natya STEM Dance Kampni, Bengaluru – India, 2020
  • Vengayam: Bus Projects, Collingwood, Melbourne, 2019 //solo performance installation
  • H:O:M:E: Mapping Melbourne 2018 //durational live art work exploring memory and place performed as part of L&NDLESS arts collective.
  • Vengayam: Critical Animals, This is Not Art Festival, Newcastle, 2018 //solo performance installation
  • Syllables of Ritual/Resonant Lines: Mapping Melbourne & Queensland Poetry Festival, 2017 //duo and trio performance poetry and live art collaboration.
  • MOKITA – A Secular Grieving Ritual: HillsceneLIVE, 2017 //trio durational, interactive and live art performance over eight hours regarding grief.
  • Remedium: Melbourne Uni Mudfest, 2017 //trio immersive and durational performance installation over 4.5 hours across five rooms.
  • In the Beginning there was Sound: Peril Magazine x AASRN Tenth Birthday, 2016 //solo performance, voice and body
  • Rates of Exchange: Mapping Melbourne 2016 //one of five performers in group work choreographed by Dr. Priya Srinivasan
  • H:O:M:E: Crack Theatre Festival (This Is Not Art) 2016 //trio experimental storytelling performance
  • Black Bird: The Body Speaks Melbourne, 2015 //duo performance poetry
  • ANDASHA: Regrowth Festival, Braidwood NSW, 2015 //one of five performers in roving performance on ritual.
  • Hybrid Continent: RMIT University & Australian Multicultural Association, 2015 //group work choreographed by Kathleen Gonzalez
  • Navagraha (‘the 9 planets’): Jambudvipa Association for Indian Arts, 2014 // ensemble performers in Bharatanatyam performance by Dr. Chandrabhanu
  • MARIAMMAN: Jambudvipa Association for Indian Arts, 2013 //ensemble performers in Bharatanatyam performance by Dr. Chandrabhanu
  • Darpana – the mirror of gesture: Jambudvipa Association for Indian Arts, 2013 //duo in Bharatanatyam with Nisha Rajamani, by Dr. Chandrabhanu
  • ‘Arangetram’, Chandrabhanu Bharatalaya Academy of Classical Indiance Dance, 2010 //solo debut in feature-length Bharatanatyam work.
Visual Arts
  • Disco Inferno, 2025: Group exhibition curated by Lucie McIntosh at Seventh Gallery, Melbourne, Australia, alongside Leo Bagus Purnomo, Asha Maria Madge.
  • Ground Zero, 2024: Group exhibition curated by Monica de Miranda. Presented at Galeria Nova Ogivia, Obidos, alongside Marcelo Moscheta, Cristina Ataide, Susana Anagua, Catarina Leitão, Nithya Iyer, Nii Obodai, Mónica de Miranda and Jermay Michael Gabriel.
  • An Experiment in Intervals III – Violet Desert, collaborative installation with The Third Thing, Body Cites programme, Centre for Projection Art, FRAME Dance Biennial, Melbourne Australia.
  • Of her I know only, 2023: Solo exhibition curated by Cristiana Tejo, Nowhere, Sao Bento, Lisboa
  • An Indefinite Series of Discontinuous Acts: Research-based exhibition presented after a year-long residency at the Hangar Centre for Artistic Investigation, Lisbon, alongside collaborators Zohar Iancu and Jad Khairallah, 2020
  • Liminal Mudra: The Un-Appropriated Hand: Video art piece presented at Sangam Performing Arts Festival of South Asia and Diaspora, 2019
  • Book of Dream, The Great Wall of Books: Facilitated community arts project as part of Well Productions Inc (AD Dario Vacirca) for Falls Festival, Lorne, Australia, 2018
  • Body/Wall_Encounters: Video art component of Masters research on body and architecture, Melbourne 2018.
  • Lord, have you forsaken me thus?: Video art project developed on-site with Art Ecology, Bangalore, 2018
  • Now, And the Mind Tears: installation at Agency Agency, Nicholas Building Open House, 2017
Workshops, Talks & Facilitation
  • Sensing the Archive: Workshop online facilitating processes of working with archival materail, presented at the Melbourne Institute of Experiential and Creative Art Therapy.
  • ‘EAT YOUR HEAD: Towards a Diasporic Anthropophagy’: Talk presented at Seventh Gallery, curated by Lucie Loy and Dario Vacirca, Melbourne, 2025
  • ‘Inhabiting Folds: An experiential workshop exploring the radical arts interventions of Lygia Clark’: Workshop presented at the Melbourne Institute of Experiential and Creative Art Therapy, Melbourne, 2025
  • AMBIGUOUS TERRITORIES: Paper presentation at the Convivial Cultures Summer School, Lisbon Consortium, 2021
  • Alternative Knowledge in the Making – An Experimental Dialogue Between Academic Research & Artistic Investigation (Film): Presentation of research film at the Convivial Cultures Summer School with Jad Khairallah and Zohar Iancu, Lisbon Consortium, 2021
  • Lisbon & Sintra Film Festival: Panel member on Arts and the Public in a Post-Pandemic World, 2020
  • Notes from Atopia: 3-day workshop at Appleton Box, Alvalade for the European Cooperation Funded 4Cs Project focusing on the knowledges gained from the existential placelessness of pandemic isolation. Lisbon, 2020
  • Book of Dream: One-one and group arts-based interventions over three-day interactive installation at Falls Festival, Lorne, 2019
  • Exploring Gesture: workshop presented at Yoga Health Mandala, Goa, India, 2018
  • BON moving meditation: weekly workshops at Dancehouse, Melbourne and Regrowth Festival, NSW, 2014 – 2016
  • Bharatanatyam dance teacher, Chandrabhanu Bharatalaya Academy of Classical Indian Dance, weekly classes for children and adults five to 20 years old, 2014 – 15