An Experiment in Intervals – IIVideo (07:37) & Print (Untitled #6 /9 in this series on show) The hauntings of … More
Category: Performance
Performance: LAZULI #002FA7 Nanogaleria, Lisbon
Performance at Nanogaleria, Alvalade in Lisbon on October 14th. Curated by Luisa Santos and Ana Fabiola Mauricio and presented with … More
Performance Excerpt of Vengayam, at Kampni Kutcheri at Natya STEM Dance Kampni, Bengaluru – Jan 11th, 2020
A performance (excerpt) of Vengayam at the Kampni Kutcheri series by Natya STEM Dance Kampni, Bengaluru, India on January 11th, … More
On Embodied Ideologies, Improvisation, Decolonisation and the role of Art: Interview with Dario Vacirca (Phd) about Vengayam
The following conversation was had at Bus Projects, Collingwood, after the Melbourne performance of Vengayam. The conversation was facilitated by … More
Vengayam at Bus Projects, Melbourne, 2019
The Melbourne debut of ‘Vengayam’ took place on Sunday April 7th, 2019, at Bus Projects in Collingwood, Melbourne. The performance … More
The Great Wall of Books: Book of Dream – Falls Festival, Lorne, Victoria 2018
‘Book of Dream’ was the 2018 iteration of the Great Wall of Books project, an interactive public art installation conceived … More
H:O:M:E – Durational performance installation at Mapping Melbourne 2018, L&NDLESS.
Images: Renee Stamatis H:O:M:E – a durational performance-based installation exploring the ways in which locations, memories, stories, and histories are … More
Body:Wall_Encounters
-Body/Wall_Encounters: Research text 2018 I. Wall: a perpendicular floor; a construction, partition, fabrication, protrusion; a boundary, shield, screen; an oppressor, … More
Vengayam – Solo performance installation at Critical Animals, This Is Not Art festival, September 29th, 2018
Vengayam (‘ven-gaah-yum’) – meaning ‘onion’ in Tamil – is a performance installation that investigates the constructs of identity as traced through the … More
‘Practice, Method, Frame’ – Response to A.L. Cole and J.G. Knowles, 2018
July 2018: ‘Practice, Method, Frame’, and Intersubjective Response to ‘Arts Informed Research’ by A.L. Cole and J.G. Knowles, Chapter 5, Handbook of … More
NITHYA IYER 