Identity, creativity and representation have a long and chequered relationship. Tied to these concepts are the ideas of inhibition and…
Body:Wall_Encounters
This piece comprises recordings (aural and video) from two separate encounters with a Wall as part of Masters research in…
Vengayam – Solo performance installation at Critical Animals, This Is Not Art festival, September 29th, 2018
Vengayam (‘ven-gaah-yum’) – meaning ‘onion’ in Tamil – is a performance installation that investigates the constructs of identity as traced through the…
‘Lisboa is not for sale’: Lisbon, July ’18.
“LISBOA IS NOT FOR SALE” The words are stencilled across the side of an alley wall along the main drag…
Venetian masks: Venice & Bologna, July ’18
His name is Victor. He is sitting by the step and I amble nearby waiting for my friends to come…
‘Practice, Method, Frame’ – Response to A.L. Cole and J.G. Knowles, 2018
July 2018: ‘Practice, Method, Frame’, and Intersubjective Response to ‘Arts Informed Research’ by A.L. Cole and J.G. Knowles, Chapter 5, Handbook of…
(Re)negotiating identities: Hippie, what? Goa, 18 (II)
They are a parasite, he says. They find a host tree that they like, grow around it and suck up all…
Lord, have you forsaken me thus? – concept exploration on residence with Art Ecology, Bangalore
This piece was created during a two week residency at Good Earth Enclave in Bangalore, in association with the Art…
(Re)negotiating identities: Curious gazes, Goa’ 18 (I)
It’s the dogs that keep me awake. Otherwise, I can stand the heat, and the rumblings of traffic that pass…
Syllables of Ritual in Resonant Lines – collaborative triple-bill at NIDANights
Image credit: Damian W Vicenzi, NIDA
