The electronic check-out machine does not want to recognise the small beige barcode on the plastic-wrapped parsley in my hand.…
Journal: Woke Fever/Apocalypse Dress Rehearsal
It is only fitting that I ended up here, stamping my feet on the uneven stoned streets and chanting poorly…
Journal: 2020 Saffron Masala Fruit Salad
The large rectangular mirror that hangs in the pergola reflects the encroaching foliage of the forest. Though I know this…
Performance Excerpt of Vengayam, at Kampni Kutcheri at Natya STEM Dance Kampni, Bengaluru – Jan 11th, 2020
A performance (excerpt) of Vengayam at the Kampni Kutcheri series by Natya STEM Dance Kampni, Bengaluru, India on January 11th,…
Curation: BIRRARUNG – DADADESI at the Sangam Performing Arts Festival of India and Diaspora, Melbourne, November 2019
Sangam, Performing Arts Festival of South Asia and Diaspora presents “BIRRARUNG DADADESI” featuring 12 acts by 16 artists in a…
GALLERY
Vengayam (2020)Images: Joseph S. KumarLocation: Bengaluru, India – Natya & STEM Dance Kampni, January 2020 Liminal Mudra: The Un-appropriated Hand…
‘Adrift Some Unsteady Island’, Collage
Image of chair as taken of the desk of Joao Cutileiro, Portuguese sculptor, in 1964.
On Embodied Ideologies, Improvisation, Decolonisation and the role of Art: Interview with Dario Vacirca (Phd) about Vengayam
The following conversation was had at Bus Projects, Collingwood, after the Melbourne performance of Vengayam. The conversation was facilitated by…
Body : Wall – as published in Island Island, 2019
“.. a world ordered by walls becomes one inevitably ordered by territories. A perpetual series of inside/outsides, transforming the…
Vengayam at Bus Projects, Melbourne, 2019
The Melbourne debut of ‘Vengayam’ took place on Sunday April 7th, 2019, at Bus Projects in Collingwood, Melbourne. The performance…
NITHYA IYER 