Vengayam (‘ven-gaah-yum’) – meaning ‘onion’ in Tamil – is a performance installation that investigates the constructs of identity as traced through the…
‘Lisboa is not for sale’: Lisbon, July ’18.
“LISBOA IS NOT FOR SALE” The words are stencilled across the side of an alley wall along the main drag…
Venetian masks: Venice & Bologna, July ’18
His name is Victor. He is sitting by the step and I amble nearby waiting for my friends to come…
‘Practice, Method, Frame’ – Response to A.L. Cole and J.G. Knowles, 2018
July 2018: ‘Practice, Method, Frame’, and Intersubjective Response to ‘Arts Informed Research’ by A.L. Cole and J.G. Knowles, Chapter 5, Handbook of…
(Re)negotiating identities: Hippie, what? Goa, 18 (II)
They are a parasite, he says. They find a host tree that they like, grow around it and suck up all…
Lord, have you forsaken me thus? – concept exploration on residence with Art Ecology, Bangalore
This piece was created during a two week residency at Good Earth Enclave in Bangalore, in association with the Art…
(Re)negotiating identities: Curious gazes, Goa’ 18 (I)
It’s the dogs that keep me awake. Otherwise, I can stand the heat, and the rumblings of traffic that pass…
Syllables of Ritual in Resonant Lines – collaborative triple-bill at NIDANights
Image credit: Damian W Vicenzi, NIDA
‘Now, and the Mind Tears’, immersive installation at Agency Agency, Nicholas Building, Melbourne
Now, and The Mind Tears you walk down the street you‘ve stared too long at nothing something steps your miss…
Apathy & Democracy: Reflections on a Sunday of protesting Manus
The following reflection was written whilst sitting on the tarmac outside Flinders St station, Melbourne, with protestors from the Artists…
